我的雕塑作品《臺(tái)燈》，旨在表達(dá)我與母親日常生活的細(xì)微情感交流。當(dāng)我回憶起母親，最先想起的是她在床頭在燈光下為我讀書(shū)的場(chǎng)景。無(wú)數(shù)無(wú)數(shù)個(gè)夜晚都是這樣與母親度過(guò)，這是我成長(zhǎng)過(guò)程中十分重要的時(shí)刻。我年幼時(shí)母親為我讀童話(huà)，稍長(zhǎng)時(shí)她為我讀維特根斯坦。直至今日我偶爾回到她身邊與她共眠時(shí)她依舊會(huì)為我讀書(shū)。我選用了母親贈(zèng)予我的她昔日的舊衣物，將衣物重新縫合剪裁制作成臺(tái)燈的形態(tài)，用帶有女性身份特征的內(nèi)衣扣做連接，即表明了女性的身份也體現(xiàn)了我與母親親昵的關(guān)系。

我認(rèn)為很多時(shí)候創(chuàng)作是在治療，是在試圖修補(bǔ)，是在縫合人們的身體與情感。人們被剝開(kāi)那些被分開(kāi)與被分離的狀態(tài)。我選擇身體與回憶作為主題，不是有意識(shí)的，而是因?yàn)樗俏覀兯腥硕脊蚕淼囊环N形式；它是每個(gè)人都有自己真實(shí)經(jīng)驗(yàn)的東西。

My sculpture “Lamp” aims to express the subtle emotional exchanges between me and my mother in our daily life. Whenever I think of my mother, the first thing that came to my mind is her reading to me in the lamplight by the head of the bed. I spent countless nights like this with my mother, and it was a very important moment in my growing up. My mother read me fairy tales when I was young and Wittgenstein when I was older. To this day she still reads to me when I occasionally come back to sleep with her. I chose the old clothes my mother gave me and stitched them back into the shape of a lamp. I connected the clothes with the buttons of female identity, which indicated my female identity and also reflected my intimate relationship with my mother.

I think a lot of times creation is healing, it's trying to mend, it's stitching people's bodies and emotions together. People are stripped of those states of being separated and detached. I chose the body and memory as a subject, not consciously, but because it is a form that we all share; it is something that everyone has their own real authentic with.