黃佳琪 服裝設(shè)計(jì) 碩士預(yù)科

我將自己視為以服裝為載體的藝術(shù)家、傳達(dá)藝術(shù)概念的服裝設(shè)計(jì)師。我非常喜歡在感興趣的領(lǐng)域做延伸性思考，這使得我各項(xiàng)目作品中充滿連接性。

當(dāng)我關(guān)注到產(chǎn)婦這個(gè)群體后，了解了產(chǎn)后后遺癥，在深入了解產(chǎn)婦的心理變化后，發(fā)現(xiàn)他們的思維被社會(huì)性別中所扮演的社會(huì)角色所捆綁，于是我創(chuàng)造出了能夠體驗(yàn)病癥的服裝，希望用科普的方式讓大家了解這種病癥。并且對(duì)這一問題我采取了反向思考——如果未來(lái)男性也能具備懷孕的能力，身體結(jié)構(gòu)的變化會(huì)對(duì)其性別認(rèn)知產(chǎn)生變化嗎？基于這樣的思考我創(chuàng)作了影像作品《繁衍》。隨后，我在此項(xiàng)目的基礎(chǔ)上延伸探討對(duì)性別的普遍固有印象對(duì)人類性別認(rèn)知的界定的影響，以此為靈感創(chuàng)作出一些列服裝設(shè)計(jì)，尋找社會(huì)規(guī)范下隱藏的身體屬性。

在我的另一個(gè)服裝實(shí)驗(yàn)項(xiàng)目《生命-無(wú)邊界》，靈感來(lái)自于JaeRhimLee的無(wú)限壽衣，我對(duì)這個(gè)項(xiàng)目非常感興趣，于是我培養(yǎng)了關(guān)于蘑菇的雕塑，隨著雕塑的自由生長(zhǎng)，我發(fā)現(xiàn)了生命與身體之間的新的聯(lián)結(jié)性。我想將這種狀態(tài)和服裝進(jìn)行聯(lián)系，于是我嘗試將蘑菇培養(yǎng)轉(zhuǎn)移到人臺(tái)上，最后，從蘑菇菌絲生長(zhǎng)不斷和身體融合這個(gè)方向制作了我的服裝項(xiàng)目。

I regard myself as an artist using garment as the carrier also a fashion designer who conveys the concept of art. I like to think in an extended way in the field of my interest, which makes my projects full of connectivity.

When I paid attention to the group of puerperae, I learned about postpartum sequelae. After in-depth understanding of the psychological changes of puerperae, I found that their mental status and notions were bound by their social role based on gender, so I created garments which allow people to experience the ailment, aiming to let people know this disease by means of popular science. I also tried to think about it a reverse direction – What if men have ability to give birth to a child in the future? Will the changes in body structure also change their gender identity? Based on this thinking, I created the video named ‘Reproduction’. Based on this project, I extended the discussion to how the universal inherent impression of gender influences the people’s gender cognition, and I created project inspired by this, looking for the hidden physical attributes under social norms.

The other experiment project "Life without Boundaries" was inspired by JaeRhimLee's project called ‘infinite longevity garment’. I was very interested in this project, so I tried to cultivate mushroom sculptures on mannequins. Observing the growth process of the sculpture, I was inspired to transfer this state to garment. Finally, I created this project imitated the continuous growth of mushroom mycelium and their integration with human body.