我是一個(gè)相當(dāng)敏感且好奇的人，我熱衷于探索事物的細(xì)節(jié)與本質(zhì)。而我的每一個(gè)項(xiàng)目，都會(huì)嘗試進(jìn)行跨學(xué)科和跨領(lǐng)域的探索，希望可以拓展首飾定義的邊界。

《被子之神》這件作品源自于我對(duì)被子的異常迷戀。當(dāng)我對(duì)一件物的情感達(dá)到了異于常態(tài)的狀態(tài)，物變成了主宰者——神，而我則變?yōu)榱宋锏母綄倨贰＿@件作品，闡述我將作品神化的一個(gè)過(guò)程。

當(dāng)失控的情緒占據(jù)了一個(gè)人的心，零星的掌控感也能成為救贖。《良藥？》來(lái)自我曾經(jīng)情緒失控時(shí)通過(guò)控制電子產(chǎn)品來(lái)緩解焦慮的一段經(jīng)歷。在這個(gè)項(xiàng)目中，我探索了一種名為魯米諾的發(fā)光試劑，并利用它的發(fā)光反應(yīng)來(lái) 表現(xiàn)電子屏幕的光。在設(shè)計(jì)中使用了醫(yī)療器械作為主要的承載材料，借用點(diǎn)滴以及鼻飼管的形式，表現(xiàn)出我從前對(duì)電子設(shè)備的依戀,和實(shí)際上被電子產(chǎn)品掌控的狀態(tài)。

I am the kind of person who is always sensitive and curious about the world, and more than that, I am anxious to explore the details and essences of things.

I attempted to explore the boundary of jewellery so I always try to develop my topic with a multi-disciplinary approach.

The work of “God of Quite” derives from my abnormal infatuation with my quiet. In my opinion, when my feeling for an object reaches a state which is far away from normal, and then the object became my master—my God. And I became the accessory of the object. This project described a process in which I deified my quiet.

When the emotional distress conquers my heart, a sense of control can even become redemption of me. “Therapy?” comes from an experience that I used to relieve anxiety by controlling electronic products when I was out of control.

In this project, I use luminous reaction to express the light of the electronic screen. The medical device is used as the main material of the piece. The lumine reagent flows down through the infusion tube around my body, which represents my previous attachment to electronic devices, and the state that I am actually controlled by electronic products.