高名妍 首飾設計 本科預科

我是一個相當敏感且好奇的人，我熱衷于探索事物的細節與本質。而我的每一個項目，都會嘗試進行跨學科和跨領域的探索，希望可以拓展首飾定義的邊界。

《被子之神》這件作品源自于我對被子的異常迷戀。當我對一件物的情感達到了異于常態的狀態，物變成了主宰者——神，而我則變為了物的附屬品。這件作品，闡述我將作品神化的一個過程。

當失控的情緒占據了一個人的心，零星的掌控感也能成為救贖。《良藥？》來自我曾經情緒失控時通過控制電子產品來緩解焦慮的一段經歷。在這個項目中，我探索了一種名為魯米諾的發光試劑，并利用它的發光反應來 表現電子屏幕的光。在設計中使用了醫療器械作為主要的承載材料，借用點滴以及鼻飼管的形式，表現出我從前對電子設備的依戀,和實際上被電子產品掌控的狀態。

I am the kind of person who is always sensitive and curious about the world, and more than that, I am anxious to explore the details and essences of things.

I attempted to explore the boundary of jewellery so I always try to develop my topic with a multi-disciplinary approach.

The work of “God of Quite” derives from my abnormal infatuation with my quiet. In my opinion, when my feeling for an object reaches a state which is far away from normal, and then the object became my master—my God. And I became the accessory of the object. This project described a process in which I deified my quiet.

When the emotional distress conquers my heart, a sense of control can even become redemption of me. “Therapy?” comes from an experience that I used to relieve anxiety by controlling electronic products when I was out of control.

In this project, I use luminous reaction to express the light of the electronic screen. The medical device is used as the main material of the piece. The lumine reagent flows down through the infusion tube around my body, which represents my previous attachment to electronic devices, and the state that I am actually controlled by electronic products.