My art practice is using visual language to discuss some social phenomenon or to explore what jewellery is in contemporary context. For example, in my recent work The Price, I discuss an abnormal and uncontrolled phenomenon to the increase in price of the epidemic prevention products. I protrude the violence premium prominently with an exaggerated artistic technique. The material is based on the same view by using virus of low density and expandable foam; by dyeing, expanding, shaping and solidifying, I combine the foam and the prevention products together to receive the expected visual effect.

Secondly, in the series of The Ruins, I hope to break the inherent view of jewellery wearing with a jewellery piece that do not be expected to be worn. By maintaining the fragility of cement, the cement block will be abraded while the wearer pick it up or mean to wear it, which achieve the effect above.
 

我的藝術(shù)實(shí)踐是在使用視覺語言來討論一些社會(huì)現(xiàn)象或探索。比如在最近的作品《價(jià)格》中，討論了疫情期間畸形的不受控制的防疫用品漲價(jià)現(xiàn)象。通過夸張的藝術(shù)手法來凸顯這些產(chǎn)品的暴力溢價(jià)。材料上也基于這個(gè)觀點(diǎn)，使用了多種低密度與可膨脹性的泡沫作為材料；并通過染色、發(fā)泡、定型、固化等方式使其與防疫用品結(jié)合，來得到預(yù)期的視覺效果。

其次，在《廢墟》系列里我希望打破人們對(duì)于首飾佩戴的固有思維，相反的來創(chuàng)造并不希望被佩戴的作品。通過保持水泥的脆弱性使佩戴者拿起或者意圖佩戴的時(shí)候會(huì)磨損掉水泥的方式來達(dá)到上述效果。