I was born in Altay, Xinjiang Province. I study painting and major in jewellery. Most of my works are combined with drawing skills to express people's emotions, social resonance and national belief. Most of my concepts are from my perspective and then combined with wilder public perspectives. 

I have learnt art for many years, but before I did the foundation in AIVA, I only expressed my ideas with paper and pen. After I focused on jewellery design, I realised that design is related to the concept behind it. The concept contains everything in the design process, such as the reason of the material selection, the meaning of the design concept, the decision of making the design wearable or unwearable and etc. Making jewellery is like bringing a personal story to the public and letting the public know the emotions. Compared with other art forms, jewellery also comes with more impact, more concrete and more comprehensive, because jewellery is a real thing, an object that you can really feel and touch. 

My first artwork is called <Rap City>; my second artwork is an unwearable conceptual jewellery, while my final project is about Xinjiang national jewellery. I used painting as a media for most of my works to express my inspiration, but jewellery design is more about making. I believe that only when you know what kind of art form you want to combine with during making the jewellery can you make great jewellery designs. Jewellery design is not just about beauty and ugliness, it depends more on the author's creativity and the public resonance. The above is my rough understanding of the jewellery design.

我出生于新疆阿勒泰，學習過繪畫再從事首飾設計。作品風格大多與繪畫結合，以表達人的情感，社會的共鳴，民族的信仰等。我創(chuàng)作的概念，大多是用自己的角度出發(fā)再與大眾的理念結合。

我接觸藝術許多年，但在來AIVA之前我都是用紙和筆的形式來表達自己的創(chuàng)作。但轉向首飾后我意識到設計是依附于概念的。這個概念包含了所有設計的過程，比如選用材料的原因，設計概念的意義和是否要做可佩戴首飾的決定等。做首飾像是把一個自己的故事帶給大眾，讓大眾了解私人的情感、想要表達的故事。相比其他的藝術形式，首飾也來的更有沖擊力、更具體、更全面；因為首飾是能真真切切感受到、觸摸到的物品。

我的第一部作品叫做《說唱城市》；第二個項目作品是不可佩戴的概念首飾；最后一個獨立的項目是新疆民族首飾。我的大部分作品都使用了繪畫作為一種媒介去表達我的靈感，但首飾設計更注重制作。我認為，只有知道你在做珠寶設計項目時想要結合什么樣的藝術形式，你才能制作出好的珠寶。珠寶設計不僅僅是美或丑，它在很大程度上取決于作者的創(chuàng)造力和公眾的共鳴。以上是我對珠寶設計的粗略理解。