我是一個(gè)樂(lè)觀且熱愛(ài)幻想的人。我希望在我的世界里，一切都是美好而甜蜜的。因此在每一件作品中我都嘗試展現(xiàn)出生活積極美好的一面。

《閃爍的水滴》系列作品的靈感來(lái)自于我手臂上的一個(gè)疤痕，這個(gè)疤痕是在我生病期間由留置針留下的。在我住院治療的一年里，這根留置針一直保留在我的手臂上。隨著時(shí)間的流逝，我逐漸覺(jué)得它就像是一件飾品被佩戴在我的手臂上。因此，我開(kāi)始思考將醫(yī)療器械轉(zhuǎn)化為首飾的可能性。在這個(gè)項(xiàng)目中，我的三件作品分別來(lái)源于與自身經(jīng)歷相關(guān)的三件醫(yī)療器械：輸液器、留置針和醫(yī)用貼紙。并在作品中加入了珍珠和水晶等材料來(lái)表現(xiàn)輸入身體的藥品和我的血液，使作品在還原使用過(guò)程的同時(shí)也增強(qiáng)了其作為首飾的裝飾性。

《幻夢(mèng)》系列作品的靈感來(lái)源于我的夢(mèng)。我是一個(gè)喜歡做夢(mèng)并依賴(lài)于夢(mèng)境的人，對(duì)我來(lái)說(shuō)，夢(mèng)境體現(xiàn)了我的美好意愿，在夢(mèng)境中我能實(shí)現(xiàn)生活中無(wú)法做到的事情。因此我設(shè)計(jì)了一個(gè)睡前儀式，而我的作品則是儀式所用的道具，希望通過(guò)這個(gè)儀式能幫助我以更加愉悅的心情迎接夢(mèng)境。在這個(gè)項(xiàng)目中，我借鑒了懷表、漩渦等與心理催眠相關(guān)的道具或者視覺(jué)元素，并將他們與我夢(mèng)鏡中出現(xiàn)的小精靈、云朵等元素結(jié)合。并且我在每一件作品中都設(shè)計(jì)了不同的互動(dòng)方式，分別代表了傾訴、遣去煩惱和進(jìn)入夢(mèng)境的三個(gè)過(guò)程。

As a positive person, I really adore imagining. I always imagine a world where everything is wonderful and sweet. I always look on the bright side of the real world, and such a perspective also motivates me to present a positive side through my work.

The series <Twinkle Drops> was inspired by a scar on my arm left by an indwelling needle during my illness. This indwelling needle remained on my arm during my year of hospitalization. As time went by, I gradually believe that it was more like a piece of jewellery worn on my arm. Therefore, I began to think about the possibility of transforming a medical device into jewellery.

In this project, my three pieces are derived from three medical devices related to my own experience: an infusion set, an indwelling needle and a medical sticker. Specifically, materials such as pearls and crystals are added into the works as if the medicine is fed into my blood, which could not only symbolize the meaning behind it but also retain its function of decoration as jewellery.

The inspiration for works called <Sweet Dreams> comes from my dreams. Since the dream is like an outlet for suppressed feelings and desires, I become obsessed with dreams. For me, dreams embody my good intentions and create a world where everything could be achieved even if some of them could never be realized in reality. In this way, I designed a bedtime ritual, a work used as a prop for the ritual, hoping that the ritual will help me to welcome the dream state in a more pleasant mood. My work draws on props or visual elements related to psychological hypnosis such as pocket watches and swirls, and combines them with elements such as fairies and clouds that appear in my dream. In each piece, I designed different ways of interaction, representing the three processes of talking, letting go of worries and entering the dream state.