魏梓萱 服裝設計 本科預科

 時尚是具有包容性的產業(yè)，其獨特的魅力在于我們可以使用不一樣的方式表達對于社會問題的觀點。

《派對之后》這個項目的靈感來自我的日常生活。當下，有許多Z世代的年輕人有著很強的社交屬性但是內心卻是孤獨的。高頻的社交讓她們無法獲得知心朋友，聚會燈光下的笑臉在人群散去后就會迅速變得失落。只有她們自己知道自己的孤獨。刺激的聚會就像煙和酒，產生短暫的麻痹，散場后的孤獨感更勝以前。在作品中，我希望通過聚會的熱鬧和聚會后的垃圾的對比，來表達出年輕人在聚會中和散場后內心的反差，讓更多人注意到外向孤獨患者這個群體?！赌赣H的肚子》靈感：和母親在水上樂園玩樂的過程，讓我回憶起兒時與她一起玩水的記憶。第一次玩水上項目時，母親鼓勵我給予我勇氣，她環(huán)抱著我和我一起沖下水上滑梯，讓我感受到了強烈的安全感。母親的保護和水的包容性讓我聯(lián)想到了母親的肚子和生命孕育的過程。我希望通過這個作品表達對母親的感激，喚起更多人對女性的關愛。《新冠萬圣節(jié)》靈感來源于我的三年防疫生活，在新冠中人們對于疫情防控的看法和印象，發(fā)現(xiàn)在疫情的過度防控中，人們對防疫的印象及心理的轉變。 調研到1918和2019年發(fā)生的疫情，人們進行的過度防疫行為進行對比。

對我來說時尚，藝術創(chuàng)造和日常生活是密不可分的，生活是一段充滿探索、不斷學習和不斷進步的旅程。

Fashion is an inclusive industry, and its unique charm lies in the ability to express our opinions about social phenomena in various ways.

The <AFTER PARTY> project was inspired by my daily life. Currently, many Gen Z-ers are highly social but often feel lonely. Frequent socializing prevents them from forming close friendships, and the smiling faces seen under party lights quickly fade away once the crowd disperses. Only they know how lonely they truly are. Exciting parties, like cigarettes and alcohol, provide temporary distractions, leaving them feeling even more isolated than before. Through this work, I aim to portray the contrast between the inner feelings of young people during parties and the aftermath of those parties by juxtaposing the liveliness of the events with the discarded remnants. My goal is to draw more attention to this group of extroverted yet lonely individuals.

The inspiration for <MOTHER'S BELLY> came from playing with my mother at a water park, which brought back memories of our childhood playtime together. The first time I engaged in water activities, my mother encouraged and supported me, giving me the courage to participate. She embraced me and slid down the water slide with me, creating a strong sense of security. The protection of a mother and the inclusive nature of water reminded me of the safe and nurturing environment within a mother's womb and the miracle of life itself. Through this work, I aim to express my gratitude to my mother and raise awareness and concern for women.

<Covid-19 Halloween> was inspired by my three-year experience of living through the pandemic. During COVID-19, people's perceptions and attitudes towards epidemic prevention and control have undergone significant changes. We have observed that excessive measures for prevention and control have influenced people's impressions and brought about psychological transformations. By examining the epidemics of 1918 and 2019, we can compare people's preparedness and response to these crises.

For me, fashion, artistic creation, and daily life are intertwined. Life is a journey of exploration, continuous learning, and ongoing progress.